[NIFL-TECHNOLOGY:1948] Re: plagiarism, intellectual property, and

From: David Reinking (dreinkin@coe.uga.edu)
Date: Sun Jul 29 2001 - 11:27:08 EDT


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From: David Reinking <dreinkin@coe.uga.edu>
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Subject: [NIFL-TECHNOLOGY:1948] Re: plagiarism, intellectual property, and
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Chris and others following this discussion,

	You raise an important point about the investment of academia in
conventional ideas about plagiarism and intellectual property.  The "chips"
in the academic game are vita lines, and the blue chips are print
publications.  Those who play the game successfully have figured out many
of the subtleties that promote success and in some cases financial gain.  A
good analysis of how the academic game in a print culture is played can be
found in chpt 9 of Kaufer and Carley (1993).

	I haven't struggled through Bakhtin first hand, but it sounds like
he is making the point Mark Twain made when he said "originality is the art
of concealing your sources."

	I think it's too bad that more academics aren't leading the way to
break down the restrictions on the flow of information created by
commercial publication, which was more natural and necessary in the print
world.  I've argued that we need to re discover the roots of a scholarly
ethic that is based on the generation and free dissemination of useful
knowledge uncontaminated by personal gain, especially financial gain other
than the salaries are paid to be scholars (Reinking, 1996) .  For example,
I think scholars should look for opportunities to make their work available
free on the internet.  Because that is not feasible for many reasons right
now, I think they (or their institutions, see Okerson for a  research
librarian's point of view and suggestions) should attempt to negotiate to
retain the copyright on their own work (this is standard practice in most
of the rest of the world).  I think too that they should donate royalties
for their scholarly work that is sold (increasingly a euphemism for
limiting the dissemination of their work).  For example, many
authors/editors who are members of the National Reading Conference have
donated royalties to that organization (in one case this amounted to more
than $10,000.  But, for those who find this too hard a pill to swallow, let
me reiterate something I think I said in a previous message:  I have no
qualms about charging fees for personal appearances or for consulting on
specific problems or issues related to commercial enterprises.

	That said, I think it's interesting to note that the flood of
information today has already made conventional print publication in
journals too slow for many academics, especially in the hard sciences
(e.g., see Stix, 1994).  For example, perhaps a dozen scholars world wide
might be studying the reaction of a particular enzyme critical in the
activation of the AIDS virus.  In such instances, and especially where
distinct humanitarian interests are at stake, they may each be conducting
integrated experiments with the results found by one team/lab on one day
being communicated immediately to another team/lab where their experiments
are then altered the next day.

	I think your example of not feeling compulsion to attribute a joke
to your brother is a good one that illustrates my point that definitions of
plagiarism are arbitrary and thus subject to change.  Jokes are public
domain in the purest sense.  And, the funniness of the joke is not
completely embedded in its language, but in choosing just when and how to
tell it, so much of its "originality" depends on the user not the
originator.  Even if I'm truly the originator of a joke, it would be
foolish to expect that everyone who uses it will cite me.  Besides, the
point is to make people laugh (think if you're a scholar?), and I could
take some personal satisfaction everytime I heard someone tell it that I
played a role in making people happy.  And, human nature being what it is,
I suppose it would feel good to know that at least a few people would know
the joke originated with me, even if most people did not.  Another example,
or maybe an analogy:  few blues writers/singers make much money, but they
keep singing the blues (can you sing the blues if you're rich?) and they
are often quite magnanimous about telling people what other blues
writers/singers have influenced their work--there is a real sense of
community that overrides selfish gain.

	Your example of using email discussion in your class is a good
example, I think, not only of newer conceptions of literacy but also the
potential of digital texts to transform instruction--even at the university
where conventional models of "sage-on-a-stage" teaching are most firmly
entrenched.  I've had similar experiences and have noticed the increased
engagement and reflectiveness promoted by email discussions among students,
although there are some potential downsides too (e.g., reinforcement of
stereotypes and biases).

	By the way, for anyone reading this or any of my previous posts,
feel free to use any of my text in your own publications.  Attribution
would be nice, but not necessary.  That's a pretty liberating offer to
make, but then again, I'm a full professor . . .  David

	Kaufer. D. S., & Carley, K. M.  (1993).  Communication at a
distance:  The influence of print on sociocultural organization and change.
Hillsdale, NJ:  Lawrence Erlbaum.

	Okerson, A.  (1991).  With feathers:  Effects of copyright and
ownership on scholarly
publishing.  College and Research Libraries, 52(5), 425-438.

	Reinking, D.  (1996).  Reclaiming a scholarly ethic:
Deconstructing "intellectual property" in a post-typographic world.  In D.
J. Leu, C. K. Kinzer, & K. A. Hinchman (Eds.),  Literacies for the 21st
century:  Research into practice (pp. 461-470)  Forty-fifth Yearbook of the
National Reading Conference.  Chicago, IL:  National Reading Conference.

	Stix, G.  (1994).  The speed of write.  Scientific American,
271(6), 106-111.



*********************
David Reinking
Professor and Department Head
Editor: Journal of Literacy Research
University of Georgia
Department of Reading Education
309 Aderhold Hall
Athens, GA 30602
Voice:706-542-4623
FAX:  706-542-3817
*********************



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