[EnglishLanguage 2014] Re: When Can My Students Read Out Loud??Betsy Wong betsywong at comcast.netFri Dec 14 15:09:21 EST 2007
Ted, I applaud you for using learner-generated themes to practice communicative functions in authentic language situations that your learners face. That is undoubtedly a motivational activity for them. However, the dialogue activity that you describe seems to indicate that learners have the educational background and literacy skills to read a great deal of text and to decode written juncture arrows and primary stress symbols. How would you scaffold instruction for this activity to meet the needs of your learners who are not yet fully literate in English? ------------------------------------------------------- Betsy Wong Lead Teacher Alexandria Adult and Community Education _____ From: englishlanguage-bounces at nifl.gov [mailto:englishlanguage-bounces at nifl.gov] On Behalf Of Ted Klein Sent: Friday, December 14, 2007 9:48 AM To: Adult English Language Learners List Subject: [EnglishLanguage 2009] When Can My Students Read Out Loud?? O.K.Colleagues, Friends and Creditors, Do my studentsneverget to read aloud? Confession, NO! However, what we do is more holistic and lesspassive and mechanical. We do dialogs! They are all infiltrated with stress andjuncture.My students just don't get to read passages from textbooks,great literature or how-to-do-it stuff. All of these dialogs include culturalfeatures which contribute tothe students' survival.Subjects aremostlysuggested by students, based on their wants and needs. Thestudents tell me where and when they are at a loss for words or situationalunderstanding and then I make dialogs mostly based on localpossibilities. They haveincluded: 1. At a Clinic2. Atthe Bank3. When aPoliceman StopsYou4.Making a Contract5. Finding an Attorney 6.Emergencies 7. At a Restaurant8. New in Austin9. At aMechanic's Shop10.Americans All ofthe dialogs are carefullymarked with juncture arrowsand primary stress asfollows: DIALOG;NEW INAMERICA Tom: Hi,'Ali*It's good to se'e youagain* Ali: Hi,Tóm*How are youdóing?* Tom: Justfíne*Wéll*after six monthshére*in theU.S.'A.*whatdo youthínk?* Ali: I'm alwayssurprísed*Just when I think Iknów*what Americans arelíke*somethingháppens*to make me change mymínd* Tom: Can you give me anexámple?# * Ali: Yés*When I arrívedhere*from m'ycountry*I thought thatAméricans*weren'tfríendly*In m'y country*people go out of theirwáy*to helpstrángers*Atfírst*people seemedcóld*Now I feelquite wélcome* Tom: So what do you thinkhas chánged* Ali: The fúnnything*is that I think 'I'vechanged.* Tom: In whatwáy?* Ali: For ónething*perhaps I expéctedpeople*to come tomé*In m'ycountry*we ápproachstrangers*If they look lóst*we offer tohélp*Hére*we have to ásk forhelp*The go'od news*is that Americans are véryhelpful*once you ásk them forhelp* Tom: So what do youthínk*is thedífference*now that you knów usbetter* Ali: What I réalizenow*is thatAméricans*are moreprívate*than wéare*I come from tríbalpeople*where nobody is astránger*Americans seem to haveanother wáy*of looking at thepéople*aro'undthem*There is morespáce*but we arewélcome*in thatspáce*Américans*don't want toinváde*O'URprivacy* Tom: That soundsríght*Each culture isdífferent*from every ótherculture*Visitors into néwcultures*need to findo'ut*what the dífferencesare*so that they willfe'el*morecómfortable. Ali: I'mle'arning*I'm getting toknów*Americansbétter*everymónth*and my respect isgrówing*all of thetíme*thanks to friends likeyo'u*I'll see you laterTóm* Tom: See youso'on*Cáll me*if you think of anythingélse*I love talking aboutcúltures* ©2003-TedKlein PROCEDURES 1.Teacher reads the dialog at normal speed andwith noexaggeration, to the students. At the same time, studentsread their copiesof the dialogs, which are copied and handedout. 2. Students ask questions aboutthe dialog concerning vocabulary,pronunciationand situation. Explanations of words and situations go on themarker board. 3. Teacher reads the dialog by thought groups for repetition. Studentscan look at the dialog and repeat the thought groups. Students are again invitedto ask questions. All of the issues on vocabulary, structure and situation areexplained as needed. 4. Students turn over their dialogs and repeat the thought groups afterthe teacher, without seeing them. Normally, they sound better than when they aretrying to read them! As I've said before, the eyes are the enemy of theears. 5. Students are assigned parts to play, such and "Ali and Tom" above.They switch parts at the end and start over. 6. The pairs of students role-play thedialog. During this process, the teacher is "sneaking around" and listeningcarefully to their output, but not saying anything to individuals. Occasionally,the teacher runs up to the marker board and puts mispronounced words orinaccurate utterances on the board.Sometimes problems are with intonation,which is shown with the stress and juncture (pitch + pause) arrows, which thestudents are familiar with. 7. Every fewminutes, the teacher stops the class and points out observed problems on themarker board. Each problem is corrected and the entire class repeats thecorrection. That way, nobody is embarassed, although in a class that has a closeand trusting relationship with the instructor and each other, embarassment israre. 8. Students take their dialogs home andare encouraged to practice with family, friends and English speaking neighbors.The final goal is to attempt to memorize the dialogs as examples of "reallanguage." Students are encouraged to bring a cassette recorder and record theteacher version of the dialog. ADVANTAGES 1. This is an opportunity for thestudents to get acquainted with and practice real English in the real world. Myclass has one dialog each week and we spend as much time on it as necessary, sothat the students sound good. 2. Students acquire better listening,speaking and reading skills and there is impact on later writing lessons.Familiarity with suprasegmental features of English is critical and this is agood way to introduce it. Students learn to recognize and use the symbols, whichcan also be put onother printedmaterials. 3. The introduction of LOCAL culturalfeatures and situations can accelerate survival skills. Real telephone numbersare included when appropriate. I have enjoyed thisexchange. Ted Theodore A. (Ted) Klein, Jr. Independent Consultant inLanguage and InterculturalTraining Austin,TexasU.S.A. taklein at austin.rr.com www.tedklein-ESL.com -------------- next part -------------- An HTML attachment was scrubbed... URL: http://www.nifl.gov/pipermail/englishlanguage/attachments/20071214/47c4daf8/attachment.html -------------- next part -------------- A non-text attachment was scrubbed... Name: not available Type: image/gif Size: 73 bytes Desc: not available Url : http://www.nifl.gov/pipermail/englishlanguage/attachments/20071214/47c4daf8/attachment.gif
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