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[HealthLiteracy 541] pictures in health education

Peter S. Houts

psh2 at email.psu.edu
Mon Jan 8 16:52:33 EST 2007




>Hi - I'm Peter Houts - and I'm looking forward to sharing some of what I

>have learned while working with Ceci and Len Doak about how to best use

>pictures in health communications. I realize that health communications

>is a very broad subject and my expertise is primarily in how to

>communicate directions for managing illness - both to patients and to

>family caregivers.

>

>The work that we did together was published as a literature

>review: Houts, PS, Doak CC, Doak LG, Loscalzo, MJ. "The role of pictures

>in improving health communication: a review of research on attention,

>comprehension, recall and adherence" Patient Education and Counseling, 61

>(2006) 173-190

>

>The PDF file that Julie will make available is adapted from a slide talk

>that I will be giving to the American Psychosocial Oncology Society in

>March. It is intended to spark interest in using pictures among people

>who study how patients cope with cancer.

>

>I have been reading the messages that people posted before our session

>officially began and here are some of my thoughts in response.

>

>With respect to clip art - I have NOT found it useful to use clip art or

>art done for purposes other than the one I am trying to illustrate. The

>reason is that the art should be closely related to the text in order for

>the viewer to link them and in order to have maximum impact on people's

>comprehension, recall and behavior change. Art that does not relate

>directly to what is being said has been shown to have no effect on

>comprehension, recall, or behavior. Many patient education materials do

>use "warm fuzzy" art, but little is gained other than possibly drawing

>attention to the document. In the case of poor readers, they are likely

>to be confused by art that is unrelated to the information being conveyed.

>

>I agree very much with the points made by Marcia - that pictures by

>themselves, without explanatory text, are likely to be interpreted in many

>different ways by viewers. That is why text - simply written - should

>always be closely linked to art. As I say in the slide show - the use of

>pictures should build on a foundation of clear, simple writing.

>

>In reply to Nancy Simpson's questions about stick figures - I have found

>that they work very well. Both of our research studies used stick figures

>and, not only did people remember their meanings, the study participants

>spontaneously said they enjoyed working with them. One advantage of stick

>figures is that they are culturally neutral. (You can see examples of the

>stick figures we used in the pdf file of my slide show.) One objection I

>have heard to using stick figures was from a person who showed our

>research drawings to health educators in Africa who said that very thin

>people were thought to have AIDS. They suggested making the lines thicker

>so the figures did not seem emaciated. My other experience with stick

>figures was in asking people in focus groups what kind of pictures they

>preferred in the "Eldercare at Home" book that I edited. In the focus

>group, people said they wanted color pictures of people who look like

>themselves. This was not possible given the diversity of the intended

>audience and the expense of creating the pictures. I, personally, think

>that what people say they want in a focus group is not necessarily the

>same as what works in the real world. I suspect that those focus group

>participants would have responded positively to stick figures if they were

>linked to information they wanted to learn.

>

>As to the cost of creating art - there are many people who are skilled at

>drawing and who will work for reasonable rates. For the Eldercare at Home

>book, it took about 20 minutes per drawing when I sat with the artist,

>explained what I wanted, and responded to his draft ideas. Once he

>understood the kind of drawings I wanted, I was able to communicate with

>him by FAX which saved both of us travel time. I believe we paid him $50

>an hour which meant that each drawing cost roughly $20. This was a very

>reasonable rate in view of the fact that we generated over 200 drawings

>for that project. It is important that the health educator be the

>person who decides what should be in the drawings - not the artist. This

>means you will have to work out in your mind what you want the drawing to

>include before talking with an artist and then give feedback to his/her

>sketches until you have what you want.

>

>Peter






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